It was 1994 when Camilleri’s “The Shape of Water” was published. It was the first episode of Inspector Montalbano’s saga, which, after more than 25 years, is about to end. Truly the end of an era. In fact, exactly a year after Camilleri’s death, his last work “Riccardino” will be released just tomorrow. We, Montalbano’s fans, cannot be but absolutely thrilled to discover what kind of finale Maestro Camilleri imagined for his hero. Being very close to retirement, as we ave read in the last books, will he eventually leave his beloved Vigata to join Livia, his perpetual fiancèe, in Boccadasse? Will he die in one of his missions?
I am pretty confident that Camilleri found a way to close the curtains without being predictitable. In fact, it was 2005 when Camilleri delivered the draft of “Riccardino” to Elvira Sellerio, his publisher, but with the promise to release it in an unspecified tomorrow. In 2016, after eleven years and 15 books, Camilleri returned to those pages because he needed to “fix” the language adapting it to the times. Nothing changed in the plot and not even in the title which remained identical. In fact, differently from the essential and evocative titles of the other books like “the Shape of Water” to “The Snack Thief”, Camilleri with “Riccardino” wanted to mark an end. A definite one.
As Camilleri recounted in an old interview, at one point of his life he had to tackle with the problem of the “seriality” of his novels. A problem that many noir writers have and that he had decided to solve by making Montalbano age, thus dealing with all the changes that this would have entailed and the times that he would have lived. But it was not enough, as there was also a superstition issue, he explained. His two friends, crime writers too, JeanClaude Izzo and Manuel Vázquez Montálban, who wanted to get rid of their characters, had died before them in the end. So “I came up with another idea“:
“I wrote the end ten years ago – the writer revealed surprisingly – I found the solution I liked and I wrote it straight away, you never know if Alzheimer then comes. Therefore, fearing Alzheimer I preferred to immediately write the ending. The thing that makes me smile most is when I hear that the manuscript is kept in the publisher’s safe … It is simply kept in a drawer.”
He then added:
“Montalbano will end, when I end, only then the last book will come out. What I can say is that it is not so fiction , but rather metafiction where the Inspector talks to me and also to the other Montalbano, the TV one. »
When he was asked if he had planned to make Montalbano die in a shooting, he just said:
“Nothing like this will happen . Montalbano will not die. No autopsy. … He will go away, he will disappear but without dying.”
With these words we have a sample Maestro Camilleri’s craft in creating interest and suspance, as he mocks us pretending to spoil his finale providing his readers with some anticipations, but he is not. Montalbano will disappear without dying, where to? What does he mean? And, if he disappears, isn’t it like dying, after all? So, a day before being released, Riccardino is a hit already. I can imagine Camilleri sneer with satisfaction, while he is lighting one last cigarette.
“Il telefono sonò che era appena appena arrinisciuto a pigliari sonno, o almeno accussì gli parse. ‘Riccardino sono’, disse una voce squillante e festevole, per dargli appuntamento al bar Aurora. Ma Montalbano non conosceva nessuno con quel nome… Un’ora dopo, la telefonata di Catarella: avevano sparato a un uomo, Fazio lo stava cercando. Inutilmente il commissario cercò di affidare l’indagine a Mimì Augello, perché gli anni principiavano a pesargli; aveva perso il piacere indescrivibile della caccia solitaria, insomma da qualichi tempo gli fagliava la gana, si era stuffato di aviri a chiffari coi cretini. Si precipitò sul posto, e scoprì che il morto era proprio Riccardino”. (Riccardino. Chpt. 1)