Smashing Mr Thornton

I couldn’t believe my eyes  while I was reading a comment of one of my students to a post on Gaskell’s “North and South”. It was not a comment, actually, but rather, a deliberate attempt to pull apart piece after piece the romantic aura that surrounds Mr Thornton,  who actually shares the top step of the podium along with Mr Darcy for the most iconic and beloved male character of 19th century  English literature. He found faults in a man who has always been considered fault proof; he regarded weak the one who has always been the epitome of strength for any woman; he even found immoral traits in the uncontroverted  picture  and quintessence of  moral behaviour.

LADIES (angry): To the gallows!!!” “Blasphemy!!🤬🤬🤬

MRS TINK : “But, my dear ladies, calm down! I believe that even  this irreverent  young  man has the right to be tried first, so let’s hear what he has to say. He asserts that our minds have been clouded by the romantic charm of this character – well, that could be, especially since  Mr Thornton took the semblance of Richard Armitage, we must admit it –  and that, let me read, “the man appears systematically unable to take a single good decision in any field of his life”.

LADIES (super angry):To the gallooooows!!!🤬🤬🤬

MRS TINK : C’mon ladies, don’t rush into conclusion. He may have some good points! Let him speak his mind first and eventually we will decide what to do. Just cool down!(whispers) Ohhh, good ….so, he was just saying that some of Mr Thornton’s decisions were wrong…..

STUDENT (aside): All!😑

MRS TINK (To the student): Oh! Shut up! I’m m trying to save you from this angry bunch of ladies!🤨

STUDENT (boldly to the ladies): It is under everybody’s eye  that Mr Thornton’s business fails, can you prove the contrary?😏

MRS TINK and The Ladies: No, we can’t. But…..😧

STUDENT (more audaciously): Furthermore, he does not prevent the strike and hires the Irish in the mill provoking violent reactions.😏

MRS TINK🤨 : How could he have prevented the strike? He had no means to give the rise in salary the workers demanded and he was not alone in this, after all, there were other manufacturers.

STUDENT: “Yes,  but he was the most influent one, wasn’t he the magistrate of Milton? But, I have not finished yet. He proposes to Margaret even if he knows that she will probably refuse him and then he commits an abuse of power deciding not to investigate the same Margaret!😧

LADIES (in unison):  But he did it for love! He wanted to protect her! How insensitive!😮

STUDENT : I know, but that was actually a crime, or do you have another word to call it?😏

LADIES: We cannot listen to this nonsense any longer!😤😤😤

STUDENT (raising his voice): One more thing! He does not join his brother-in law’s speculation  and doing so, not only he loses all his wealth, but he also does not overcome the trauma of his father’s death. The very few good decisions such as hiring Higgins, for example, derive, directly or indirectly, from Margaret. Please forgive me ladies, but I did find hilarious seeing your romantic hero, the strong self-made man, the passionate lover with the endless sideburns, saved by a presumptuous 20-year-old girl from the South. Now I’m done. Thank you.😏😑😑😑

LADIES:(silence)😲😲😲

MRS TINK: (trying to break the silence). So you mean that Thornton is a loser .🤨

STUDENT: That’s what I mean.😑

MRS TINK: Well, I guess you should have thought about what makes Mr Thornton a loser first, in your eyes at least . To make you understand my point, I want to compare him to one of the greatest “losers” in world literature.

STUDENT: Who is it?🤔

MRS TINK: Hamlet. If you remember his story, we may say that Hamlet, to use your own words, appears “systematically unable to take a single good decision in any field of his life”: father, mother, Ophelia, the revenge plans etc.  He, actually, never truly acts, and if he does, it’s just because he cannot avoid it. Three seconds after talking to his father’s ghost, the initial flame of rage starts to put out and soon he feels unfit for his demand of revenge. Even in the last act, when he finally revenges his father’s death killing his uncle, he doesn’t even know how he found himself in that situation, as the duel with Laertes is actually his uncle’s trap in order to kill him. Have you ever considered Hamlet a loser?🤨

STUDENT: A victim maybe?🤔

MRS TINK: In a way he is a victim, but he is the victim of his conscience and conscience , he says, makes us all cowards, that is, unable to act freely, because we cannot avoid the burden of the moral implications of our actions. The ethical dilemma between what is right or wrong consumes our will, and thus “ the native hue of resolution, is sicklied o’er with the pale cast of thought”. Undoubtedly, the name of the comet star that guides Mr Thornton’s action is: ethics. He always tries to do what is right, even if he knows that it will not end up as he wishes, as in the case of Margaret’s rejection or when he hires the Irish. Had he been ruthless, he would have employed them much before, it is also because of this delay in taking this decision that he loses all. It’s in this constant search for the correct thing to do, his attempt to overcome the trauma of his father’s death.🤨

STUDENT(puzzled): So you mean that ethics and success cannot go hand in hand?🤔

MRS TINK: Correct.🙄

STUDENT: And that Mr Thornton‘s comet star is ethics.🤔

MRS TINK: Exactly.🙄

STUDENT: So, he is a loser.😑

MRS TINK😒: If you measure a man by means of his profits, yes, he is. But a man is more than the money he can make. I’m talking about other qualities such as sensibility, reliability, courage, sacrifice, the capacity to love; Mr Thornton is all this and more. Hence, he could never be a loser for us all, my dear. Never.😍😍😍

LADIES: To the gallows?😡😡😡

MRS TINK: No…….Student, stand up! You are sentenced to watch the BBC series again twice and read the book. You will produce then another comment on the topic and if we can spot some evidence of your redemption, we might even let you live. Off you go!

(Exeunt)

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El Diablo

Just at the end of winter, when I thought I had escaped for once the
fatal meeting with the haunting ghost of flu, there it came with its infected touch. Of course, since it was the end of the season and I was very likely one of the very last left with whom it could have a little more fun, it arrived with its best repertoire of symptoms, whatever it was necessary to make me yield. And I did yield. Therefore, in such a state, unable to do anything but lying lazily on my couch, with nothing to do but waiting for my husband Mr Run to attend me, I attempted to find entertainment watching some series on my iPad. By the way, Mr Algorithm seemed a little annoyed at my request this time, as he was too well aware that I enjoy watching the series set in the nineteenth century England, but I had practically seen them all very likely. Then, he made a try anyway: let’s keep the century and change the country. What about Mexico this time? So big brother You Tube came up with this shot saying: “We think you may like this“:

How do you know? Well, I do or better I did. It was 1993 and this picture reminds me of  my mother and my aunt eagerly looking forward to the evenings when, Corazon Salvaje, a telenovela produced by José Rendón for Televisa was on tv. This third adaptation of the novel written by the Mexican authoress Caridad Bravo Adams was an absolute hit world-wide and the very first one to be aired in prime time in Italy. Those were the happy evenings when men could safely go and play five-a-side and have a beer with their friends, as no woman entrapped in this “novela” would have ever noticed their absence. I was not one of them at first and I remember how I enjoyed mocking my mother and my aunt any time I could, till, I don’t even know how, I fell under the spell. I had watched only the last episodes of the saga, by the way, and now I had the chance and the time to view them all. And this is what I did. I watched 80 episodes for almost 70 hours in six days and then I started from the beginning again when I found the “novela” in the orignal language on DailyMotion. Now I can confess it, I am addicted.

I won’t attempt to draw a plot as there are too many twists and turns, but I can say that this is legendary story of a love triangle between two young countesses, Monica and Aimée de Altamira with the illegitimate son of a wealthy landowner, named Juan del Diablo. The character of Juan del Diablo is actually the reason of the heartbeats and sighs of all the female viewers of this saga. Caridad Bravo Adams succeeded, in fact, in giving life to the most amazing Alpha male of the Alpha males we have met on books or movies. He is a living oxymoron. He is a smuggler, womanizer, wild, impulsive,rude, a devil as his name suggests and the name of his ship too: Satan. But on the other side, we discover he is noble, good-hearted, a gentleman (if he wishes), terribly handsome and ready to put on slippers and make a family. He is a sort Heathcliff, Othello, Mr Rochester, Mr Thornton and even Mr Darcy in one character alone. Incredibly indeed, the fortunate lady, Monica, who eventually wins his heart, won’t use any seduction technique but true love and a rosary (never underestimate the power of the Almighty).

Good plots are never enough to make a series a hit, if there is not a great cast of actors and I have to say that, having also been able to enjoy it in the original language, they were all amazing. Eduardo Palomo as Juan and Edith Gonzales as Monica gave a super intense interpretation, that made us all dream, but also Enrique Lizalde with his awesome  baritone voice, who is Noel Mancera, the father figure who helps Juan grow and control his impulses, stands out. It is interesting to know that Enrique Lizalde acted as Juan del Diablo in the first adaptation of this “novela” in 1957.The sudden death of Eduardo Palomo only few years after Corazon Salvaje had become a global success, turned the series into myth. After 25 years there are still thousands of pages dedicated to him and to the series, that keep his memory well alive.

While I am writing this, my good friend Oscar Wilde mockingly cames to mind and keeps  whispering in my ear “All women become like their mothers. That is their tragedy. No man does. That’s his.” You are right, this is what I have become after 25 years, like my mother, but, is this really a tragedy, my friend?

 

Those Women !

 

 

A lot has been said and written about Mr Darcy and Mr Thornton, as no other character has been able to make vibrate the hearts of so many readers, all I dare say, to such an extent like them.These two men have often been considered quite alike, and not without reasons, in fact, I have to say that more than once, Elizabeth Gaskell seems to wink at Austen’s masterpiece in North and South. However, if we have motives to say that the two male protagonists follow quite the same pattern in the narration, the same cannot be affirmed for their wives-to-be, as they feel and act differently. Once overcome the question of prejudices according to the different settings and situations of the novels, Margaret and Elizabeth will eventually marry their chosen partners, of course, but only when we analyze closely those matches, we do understand how different the nature of the two heroines is.

I have already dealt with Miss Bennet in other posts, but I want to reiterate my interpretation having here the chance to make a comparison between characters.
Let’s start. Why does Elizabeth marry Darcy? For love? Maybe. For money? To be sure. Of course you’ll be turning up your nose at this point howling sacrilege and you would feel like reminding me the touching, explanatory letter that Darcy writes to Lizzy after he had been rejected, as the seed from which the flower of their love will grow and blossom and you would be right, but it is a seed and a very small one if compared to the sight of Pemberley. While visiting the grand house of the man she had so proudly refused, Miss Bennet is all of a sudden haunted by a thought, a fastidious fly that buzzes in her head :”I could have been mistress of all this“. That buzz does not seem to be willing to leave her. In fact, from that moment on, that hateful, disdainful, haughty, proud Mr Darcy will magically appear to her under a different, benign light and Miss Bennet will consent to be more yielding and ready to flirt. Would you call it love? Sort of.  But please, don’t get me wrong, I have the highest regard and even envy for those who manage to marry so well, I just wanted to remark that marrying Darcy with his 10.000 a year and half of Derbyshire, Elizabeth improves her station a lot and love must have found its way eventually, I am sure. The path was smooth after all.

When Margaret reunites to Mr Thornton, the latter is no longer a catch, he has lost everything (but his scowl) . Besides, Margaret in the meanwhile has become rich and has inherited Mr Thorton’s mill and house too, thus making him her insolvent tenant. This downfall reminds me of Jane Eyre’s pattern. Thornton like Mr Rochester must face the humiliation of defeat and loss. When  Margaret and Jane come to their rescue, they will do it as independent women, as even Charlotte Bronte endows her heroine with a fortune, a family and connections as well. They embody somehow a new prototype of woman, a modern character who is allowed to choose freely rather than hope to be chosen to secure status or reputation.Of course, in times when still the only way a woman could achieve a dignified and safe place in society was through marriage, an inheritance was that stroke of luck that loosed her laces and set her free. Free to marry even a man even in reduced cinrumstances like Mr Thorton that, at the time being, will have nothing to offer her but his deepest love and……..his mother’s resentment.

 

The Loss of Innocence

If one the typical characters of Jane Austen’s novels were to leave for any reason
the pampered life of a good, refined but secluded society made of balls, laces,
tittle-tattle, great expectations and shattered dreams to face the world outside,
well, very likely we would be reading one of the novels written by Elizabeth
Gaskell. Margaret Hale, the protagonist of North and South, could be in any way one
of Jane Austen’s most memorable characters : remarkably beautiful, intelligent, well
educated, young and therefore, ready to marry, but the pursue of a good match is
not the central theme here. Her perfect world will be smashed by her father’s sudden
decision to quit the church and move where the “dark satanic mills” have utterly
changed the landscape and the heart of people: the North. In Jane Austen’s books the
North has always been the remote place where the regiment was dislocated and
nothing more. There is never a hint about the profound changes the industrial
revolution was bringing about in the country. The arrival in the Northern town of
Milton will be felt by Margaret and her family as if they had been sunk into a hell
made of noise, dirt and machines. The verdant, peaceful, aristocratic South is only
a painful memory of the heaven they fear to have lost forever.

In the hell of Milton the Thorntons are the most distinguished family, and Mr Thornton is another Mr Darcy, a Darcy of the North, of course: a mill owner whose position has not been secured by breed, but by hard discipline and work .The educated but poor Margaret Hale and the rich but unrefined Mr Thornton are destined to follow the same love pattern of Pride and Prejudice: prejudice and misunderstanding at first, development of affection on both sides with a different degree of awareness, rejected proposal, smoothing of characters to a deserved happy ending. However, the context the two act, is harsher and more tragic than that of Pride and Prejudice. In Elizabeth Gaskell’s world there is pain, desolation, the desperate struggle to survive of the emerging, exploited classes working in mills and the brutal industrial plans of their masters. It is the real world which, nevertheless, allows the growth of genuine, sincere bonds and affections even among members of different classes.There is no time for frivolous deception and seemingly pointless conversation here, there is understanding and mutual support.

Mr Darcy and Mr Thornton share that scowl which actually hides a surprisingly sensitive nature, but Mr Thornton has deeper comprehension of people and himself. If we compare the two proposal scenes, for instance, Mr Darcy has no doubt he will be accepted. He is full of himself, after all, he knows who he is and what a good catch he would be for any girl. Elizabeth’s refusal takes him by surprise. Mr Thornton proposes not only because he is sincerely in love with Margaret, but because he feels bound in honour as Margaret’s coming to his rescue, while he was facing an angry mob, had been generally interpreted as a manifestation of her feelings for him. He knowns she doesn’t love him, that she thinks he is not good enough for her and that he won’t be accepted, even if she is in reduced circumstances. Despite her refusal, he will continue to offer his discreet support to her family in the many times of need.

Margaret’s love for Mr Thornton will grow, despite her initial prejudices, along with the understanding not only of the man but also of the dynamics of that part of the country he embodies. When  Margaret, after a great deal of tragedy, visits the house she was born and bred in the South, the happy and enchanted place of her thoughtless years,  she’ll be unable to revive those emotions that, however, are still vivid in her mind. That heaven like place does not exist any longer, because she’s deeply changed. Life had thrown her into the Blakean world of experience of the North and Helstone represents for her now that innocence she has painfully lost forever.

 

“That Woman!”

Amazing Sinéad Cusak as Mrs Thornton

I don’t know about you, but whenever I finish a book and particularly if I took pleasure in that read, I feel a sort of “dissatisfied satisfaction”, that is, I feel that I would have enjoyed a couple of chapters more not only to have that pleasure prolonged but to have all my curiosities answered. This happens more frequently, of course, when the narration focuses on the development of a love story, so when the longed-for happy ending comes, which often coincides with the very last page, you cannot help but wonder : “What will the wedding be like?”,” Will they live happily ever after”, “What did he/she do when…..”etc. , well, this kind of stuff.

Elizabeth Gaskell‘s “North and South” is somehow and exception. As when at the end of the book the romance between Mr Thornton and Margaret Hale comes to its deserved happy finale, well, I didn’t find myself speculating about the future of the now merry couple, not at all, but rather about Mr Thornton’s mother and her face at the sight of her beloved son in the company of his fiancée when they come back home to Milton. I may say that a couple of chapters more wouldn’t have been enough to explore the new family scenario, she could have written another novel at least about it.

The development of relationships is indeed very interesting in this novel as characters here work also as metaphors of nineteenth century England: the industrialized, productive north the Thorntons’ belong to and the charming, refined, aristocratic south Margaret Hale was raised in. These two worlds will inevitably collide, making first all their contradictions emerge to move forward then. However, what I found remarkably intriguing is the mother son relationship here. It is a solid bond which has grown stronger and stronger in time as they are, actually, survivors.The both survived the consequences of the storm of the suicide of Mrs Thorton’s husband and poverty, managing to achieve fortune and status with had work and discipline. Proud, cold and hardened by experience and now rich she wants the whole town of Milton to respect her family and her son in particular .

Despite Mr Thornton is about 30, his mother is still over protective and something more, I dare say: “she looked fixedly at vacancy; a series of visions passing before her, in all of which her son was the principal, the sole object—her son, her pride, her property” (2.1.5). Certainly, she is a woman with an infallible instinct as well, as, even before meeting Margaret Hale, she feels her as a threat to whom she considers her property.  For her it is enough to see his son back home to change his clothes before calling on the Hales, to understand that this unusual and unnecessary attention means something more : “Take care you don’t get caught by a penniless girl, John” (1.9.26) She is right to be alarmed, as page after page Margaret gains influence over Mr Thornton’s actions as he wishes to please her despite she rejected him. But why, is it only for love?

Now, if it is true that men end up marrying women who resemble their mothers  ( I am an exception, for sure), as this is a man’s very first relationship with the other sex, hence; I have to say that Mr Thornton is undoubtedly part of this lot. Margaret is, in fact, herself very proud, determined and speaks her mind very decidedly without fear of being contradicted just like Mrs Thorton. Furthemore, she is protective. She throws herself in front of an angry mob in order to protect him and she wants to prevent him from facing another financial disaster offering her love and support once become a rich heiress.

So, if I want to follow Sandy Welch’s amazing intuition for the finale in the adaptation for BBC and get on that train that goes northward to Milton with the happy couple, I often find myself picturing out a scene like Mrs Thorton waiting for his son at the railway station platform, Mr Thorton getting off with a radiant smile first, followed by…….. “that woman“! Do you think she would have thrown her arms round her neck? I have my doubts.