I don’t know about you, but whenever I finish a book and particularly if I took pleasure in that read, I feel a sort of “dissatisfied satisfaction”, that is, I feel that I would have enjoyed a couple of chapters more not only to have that pleasure prolonged but to have all my curiosities answered. This happens more frequently, of course, when the narration focuses on the development of a love story, so when the longed-for happy ending comes, which often coincides with the very last page, you cannot help but wonder : “What will the wedding be like?”,” Will they live happily ever after”, “What did he/she do when…..”etc. , well, this kind of stuff.
Elizabeth Gaskell‘s “North and South” is somehow and exception. As when at the end of the book the romance between Mr Thornton and Margaret Hale comes to its deserved happy finale, well, I didn’t find myself speculating about the future of the now merry couple, not at all, but rather about Mr Thornton’s mother and her face at the sight of her beloved son in the company of his fiancée when they come back home to Milton. I may say that a couple of chapters more wouldn’t have been enough to explore the new family scenario, she could have written another novel at least about it.
The development of relationships is indeed very interesting in this novel as characters here work also as metaphors of nineteenth century England: the industrialized, productive north the Thorntons’ belong to and the charming, refined, aristocratic south Margaret Hale was raised in. These two worlds will inevitably collide, making first all their contradictions emerge to move forward then. However, what I found remarkably intriguing is the mother son relationship here. It is a solid bond which has grown stronger and stronger in time as they are, actually, survivors.The both survived the consequences of the storm of the suicide of Mrs Thorton’s husband and poverty, managing to achieve fortune and status with had work and discipline. Proud, cold and hardened by experience and now rich she wants the whole town of Milton to respect her family and her son in particular .
Despite Mr Thornton is about 30, his mother is still over protective and something more, I dare say: “she looked fixedly at vacancy; a series of visions passing before her, in all of which her son was the principal, the sole object—her son, her pride, her property” (2.1.5). Certainly, she is a woman with an infallible instinct as well, as, even before meeting Margaret Hale, she feels her as a threat to whom she considers her property. For her it is enough to see his son back home to change his clothes before calling on the Hales, to understand that this unusual and unnecessary attention means something more : “Take care you don’t get caught by a penniless girl, John” (1.9.26) She is right to be alarmed, as page after page Margaret gains influence over Mr Thornton’s actions as he wishes to please her despite she rejected him. But why, is it only for love?
Now, if it is true that men end up marrying women who resemble their mothers ( I am an exception, for sure), as this is a man’s very first relationship with the other sex, hence; I have to say that Mr Thornton is undoubtedly part of this lot. Margaret is, in fact, herself very proud, determined and speaks her mind very decidedly without fear of being contradicted just like Mrs Thorton. Furthemore, she is protective. She throws herself in front of an angry mob in order to protect him and she wants to prevent him from facing another financial disaster offering her love and support once become a rich heiress.
So, if I want to follow Sandy Welch’s amazing intuition for the finale in the adaptation for BBC and get on that train that goes northward to Milton with the happy couple, I often find myself picturing out a scene like Mrs Thorton waiting for his son at the railway station platform, Mr Thorton getting off with a radiant smile first, followed by…….. “that woman“! Do you think she would have thrown her arms round her neck? I have my doubts.