Rhythm And Poetry (RAP)

min3Greek education by the end of 450 B.C. was mostly centred on athletics, grammar but particularly on music. We understand the importance of the latter,only if we think that the word music derives from the Greek word“μουσικός”, Mousikos, that is, relative to the Muses, the goddesses of Greek and Roman mythology who were considered of the inspiration of literature, science, and the arts, hence the very were source of knowledge.The word refers also to “technique”, which also comes from the Greek word “τέχνη” / techne, therefore music is the technique or better the art of the Muses.  Originally the term did not indicate a particular art, but all the arts of the Muses, so it was referred to something “perfect” and harmonious. As Plato said:

Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.

Musical innovation is full of danger to the State, for when modes of music change, the laws of the State always change with them.

min8That is why rhapsodes and aedi were held in higher estimation at those times.They were not only the living  memory of the history of  a country, but they could use the art of all arts to celebrate the deeds of their heroes to impress them in the minds of the listeners. Aedi, in particular, were sacred figures, who were also considered prophets. They were traditionally portrayed as blind, like Homer, for instance. Their blindness allowed them to sharpen their sensitive skills so that they could get in touch directly with the gods (through the eyes of the soul) that inspired them . “Goddess, sing me the anger, of Achilles, Peleus’ son, that fatal anger that brought countless sorrows on the Greeks….”. Homer invoked at the beginning of the Iliad. The Muse spoke through him.

min9Aedi were part of the so-called face-to-face society. The transmission of the text, in fact, was done orally, with a “performance” in which the aedo was in direct contact with the audience. As he did not have a written text, he became a composer in turn. Oral transmission required the use of a clear and direct language, so there is a great use of similes and the language is characterized by a formulaic style, with many repetitions and the presence in large amount of names as surnames, as well as the so-called topos, that is, the sites where the narration takes place. In case the aedo had forgotten the next stanza ,well, he could “dwell” on what he was still singing using the tools of his trade.

min2However, these figure were not typical only of the Greeks, the powerful combination of musical rhythm and poetry was well-known in other societies. For instance the Bards formed, along with the Druids and the foreseers, the three priestly castes of the Celts. The Bards were considered the guardians of knowledge and were instructed to store all the traditions and myths of the people. In some regions they were distinguishable from the other two orders for a special cloak they wore. In the Gaelic society  a bard was a professional poet, committed to compose eulogies for his lord and if  his employer refused to pay the compensation decided, the bard composed a satire against him.

In medieval Ireland there were two distinct group of poets : the bards and the fili. Despite the formers constituted a professional hereditary caste of highly trained, learned poets,  they were considered lesser class poets, not eligible for higher poetic roles as described above; while the latters were visionary poets, associated with lorekeeping, versecraft, and the memorisation of vast numbers of poems. They were also magicians, as Irish magic is intrinsically connected to poetry, and the satire of a gifted poet was a serious curse upon the one being satirised. However, it has also been argued that the distinction between filid (pl. of fili) and bards was a creation of Christian Ireland as the filid were more associated with the church.

min6In Anglo-Saxon England before the Norman Conquest, the professional poet was known as a scop (“shaper” or “maker”), who composed his own poems, and sang them to the accompaniment of a harp. In a rank much beneath the scop, were the gleemen, who had no settled abode, but roamed about from place to place, earning what they could from their performances. Late in the 13th century, the term minstrel (from the Latin “ministralis” “retainer”)  began to be used to designate a performer who amused his lord with music and song. Minstrels created their own tales, but they also memorized and embellished the works of others. Love, magic, death, war, these were the themes they amused and entertained  the high society with, but as the courts became more sophisticated, minstrels were eventually replaced at court by the troubadours, therefore many became wandering minstrels, performing in the streets.

We may say, therefore, that the core idea the poets sung in their poems, tales or ballads reflected the societies that produced it. Hence the evolution goes from the magical to the  heroical and finally to the domestic, while its function changes from encouragement to entertainment. And today? Who are the closest depositaries of this tradition? Fine narrators, with a mastery in rhyming, use of similes, refrains etc. Somebody who can still beautifully re-create that magic narration made of Rhythm And Poetry. Well, the answer is :the rappers. RAP is the acronym of Rhythm And Poetry, didn’t you know it?
min7

 

 

Advertisements

24 thoughts on “Rhythm And Poetry (RAP)

  1. No I didn’t know! This is such a brilliant article! I am so glad to have found it. You have no idea how much I have just learnt from this! Brilliant read 🙂

  2. rap is a nigger way of rebellion but starts from street and must be respected everything come from bottom is good rap is music and new form of poetry if you speak about the real poetry i think people, poets must know perfectly a lot of things before putting words togheter for poetry here are some : General notions

    Poetry quantitative
    Long and short syllables
    The feet
    The feet-Prospectus
    Prosodic analysis
    Phonetic phenomena
    Shortening in hiatus
    Shortening metric
    Apheresis
    Alliteration
    Elongation metric
    Correptio Attica
    Umlauts
    Diphthong
    Elision
    Enjambement
    Hiatus
    Omeoteleuto
    Semivowel
    Elision
    Sinecfonesi
    Sinizesi
    Specific terms
    Acephalous
    Cataleptic
    Caesura
    Wind (meters)
    Hypermetric (verso)
    Isosillabismo
    Prosody
    Spondaico (hexameter)
    Stanzas (choral lyric)

    Verses

    Adonio
    Asclepiadeo
    Coliambo
    Decasyllabic alcaico
    Endecasillabo alcaico
    Endecasillabo Sapphic
    Dactylic hexameter
    Cesure hexameter dactylic
    Cesura or umlauts bucolic
    Cesura eptemimera or semisettenaria
    Cesura pentemimera or semiquinaria
    Cesura tritemimera or semiternaria or male
    Cesura trochaic or female
    Falecio
    Gliconeo
    Ipponatteo
    Dactylic pentameter
    Iambic trimeter
    Iambic trimeter scazonte
    Tetramer trochaic

    The verses

    Elegiac couplet
    The verses of the poem wind
    Sapphic stanza less
    Stanzas alcaic

    intelligent people are always ready for changing the changing is our way

    • What do you mean by “real” poetry? Poetry is poetry and in the case of this post I just pointed out how music was important both culturally and to help memorization in many societies of the past. This is exaclty what rappers to do in our age: the rhythm they give their lines ( usually a/a/a/a,b/b/b/b),abundance of repetitions, refrains help the memorization of their narration. We may not like it, but why can’t we call it a kind of poetry? 🙂

  3. With all respect to the arguments, I still think RAP is a retrogressive form, reliant as it is on basic and repetitive rhythms. Compared with sophisticated music and poetry it is, in a word, primitive. It is also, one has to admit, addictive! 🙂

    • I’ve read somewhere, that Byron’s comment on reading Wordsworth’s “I wandered lonely as a cloud” was: “childish”. Compared to sophisticated poetry it looked so “primitive” to him and he was Wordsworth. 🙂

  4. What´s with the Greeks…. they invent democracy, they where all puffed up from exercising, they wrote well, poets, singers….singers turning the next generations to poets influencing society, I´m influential then!
    You´re best student missed that Sunday class, but I did get to it though at the end.
    As always, very cool lesson Mrs. Tink.

  5. A most excellent post… ‼️‼️🔛⚠️⚠️
    I much enjoyed reading about the musical origins of poetry, so as to call them… Starting with the Greeks… and all throughout the Middle Age and into the Renaissance… It seems that rhythm and rhymes can be certainly sung!… The words for bards in spanish is Juglares, just a linguistic note! Hugs and best wishes. Aquileana

  6. I’ve just commented on Sarah Vernon’s Rogues and Vagabonds blog that yours is one of my favourite blogs – and the compliment comes from a sceptical (and lazy) blogger. I think your site is exemplary, and is a vindication of blogging as a modern cultural platform. Thank you for all the delights and erudition you share.

    • Wow, what can I say? This is the kind of comment every blogger would dream to read, I’m really flattered. Thank you for following me and giving me your support.
      Hugs.
      Stefy. 🙂

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s